Candida Sayle and Stephen Eversley “meet cute,” as the kids say, when Candida gets stranded on an English beach as the high tide rolls in and threatens to drown her. At that exact moment, Stephen happens to be out birdwatching in a rowboat, as one does, and finds his damsel in distress clinging to a cliff face. He rescues her, they exchange names and then part, presumably never to meet again.
Oh, but that wouldn’t be much of a book, would it — let alone a mystery. And so our two young people meet again, this time at a very creepy old country house (honestly, is there any other kind in England?) that is rumored to house The Benevent Treasure (1954), brought to England when its aristocratic Italian owner fled Italy centuries ago. Candida is the black sheep of the Benevent family, through no fault of her own — her mother married a man the family did not approve of and cut all ties. Now all the Benevents are dead, except for two strange old sisters, Olivia and Cara, two strange old women who are the sisters of Candida’s long-dead grandmother. They reach out to young Candida to effect a reunion and she goes to visit, although she’s not sure what they want with her.
She meets up again with Stephen, who just happens to be in the neighborhood doing some architecting work (he’s a prime one for being on the spot), and they get reacquainted. But something is amiss inside Benevent House, and Candida seems to be its focus. And if there’s a mystery to be solved, it’s a fair bet that Miss Silver, intrepid governess-cum-private enquiry agent, will root out the truth.
Wentworth returns to her habit from earlier in the series of having Miss Silver acquire her client whilst riding the train. In this case, she is coincidentally traveling to Retley, where Benevent House is, in the same train carriage as the uncle of a young man who had previously worked for the Benevent sisters and disappeared mysteriously, supposedly after stealing jewels from the rumored treasure. Miss Silver agrees to look into the subject, not realizing she will need to solve a current mystery before she can find the truth about the cold case.
There are a lot of gothic elements here, including the way Candida and Stephen are lovestruck at virtually first sight. You know Stephen has it bad when meets Candida in a café shortly after her arrival.
Stephen, waiting in the Primrose Café, saw her come in with a glowing colour and starry eyes. She made a brightness in the shaded place. He had a rush of feeling which surprised him. It was as if a light had sprung up to meet her, and when she came to him and they look at each other the brightness was round them both.
More deaths will occur before Miss Silver wraps up all the mysteries and solves the case, but does it really matter as long as young love wins out in the end?