Illusions of safety and danger

Dennis Lehane dives deep in ‘Since We Fell’

Rachel Childs is a television journalist in Boston whose career is on a steep upward trajectory until she is sent to Haiti on assignment after the devastating 2010 earthquake. The horror she sees and experiences there leave her with a severe case of post-traumatic stress disorder that becomes apparent when she breaks down during a live broadcast.

Back in Boston, her news career in shambles, Rachel struggles with panic attacks that leave her afraid to even leave her apartment. Her relationship with a co-worker doesn’t survive, but when she meets an old acquaintance by chance, his patient understanding of her problems leads to romance and eventually marriage. With Brian’s help, Rachel starts to re-emerge from her self-imposed exile. Her tentative journey back to normalcy is jolted, however, when on one of her first solo trips downtown she discovers Brian in a place he shouldn’t be. The discovery prompts her to use her investigative reporting skills to get to the bottom of the mystery without tipping him off to her suspicions leads her deeper and deeper into a dangerous situation where no one is who they seem.

For my money, Dennis Lehane is one of the most underrated mystery/thriller writers in the business. Yes, several of his previous novels, Mystic River and Shutter Island among them, were turned into feature films, but the books themselves never generate much discussion among my friends who enjoy Harlan Coben, Linwood Barclay, and others. With Since We Fell (Ecco, 2017), Lehane has delivered another intricately plotted examination of people who are not what they seem being driven to extremes by circumstances they can’t control. I appreciated that Rachel, despite her emotional fragility through much of the first part of the novel, is far from a hapless victim waiting to be rescued. She manages to engineer her own rescue on her own terms, even as she accepts the consequences of what she has to do in the process.

Lehane builds the narrative tension slowly but surely (perhaps a little too slowly at first) to a white-knuckle finish that seems both unexpected and inevitable. Nothing about this book made me any less eager to read the next offering from a first-rate writer.

Viral video opens old wounds in ‘The Hidden Things’

With The Hidden Things (Gallery Books, 2019) Jamie Mason has crafted a solid suspense thriller that is firmly rooted in contemporary culture. It all begins when 14-year-old Carly fends off a would-be attacker who follows her home from school. Their encounter in the front hallway of her family’s home is captured by the surveillance cameras that her stepfather, John, had installed. Predictably in the 2010s, the video goes viral on social media after first being posted on the local police website. Soon Carly is fielding questions and attention from friends and strangers alike, who all know her as the plucky teen who defeated the bad guy.

Carly’s a bit overwhelmed by all the attention, but not so much that she doesn’t notice how oddly John is acting in the wake of the incident. And she isn’t immune to the household tension that erupts because neither Carly nor her mom realized John had installed surveillance cameras inside as well as outside the house.

Many cities away, the viral video comes to the attention of a group of people who are particularly interested, not in Carly and her heroics, but in what’s shown in the background: The corner of an old painting that was stolen from a museum and later thought to be lost forever when an underground sale went awry. How did it end up in Carly’s house? And to what lengths will people go to get it back?

The story is told from a variety of viewpoints, giving the reader insight into what all the main players are thinking and feeling. There’s Carly, of course, who is the heroine in more ways than one. But there’s also her stepfather, who finds himself trapped in a situation that could cause him to lose the comfortable home life he has finally found. And the other people who were involved in the caper-gone-wrong along with John are also given their turn in the spotlight: hapless loser Roy, ruthless bad guy Owen, and the enigmatic Marcelline, left for dead but very much alive. As they all converge on Carly’s home, no one’s sparing a thought for who might get caught in the crossfire. And it’s up to Carly to try to save herself, her family, and her “normal” teenage life.

Mason does a great job of juggling the rotating viewpoints without losing the reader’s attention. She managed to make me sympathize with each of them in turn, even when I knew the unspeakable things some of them had done. And she doesn’t try to wrap things up with a neat bow and unbelievable feats of strength from a young teenager. Carly is indeed her own savior (with a little help) but she is changed irrevocably by what she learns and what she is forced to do, and Mason doesn’t shy away from exploring the consequences of those actions. It kept me turning pages to the very end, and feeling satisfied when I closed the cover.

Disclaimer: I received a copy of this book through NetGalley in exchange for my honest review.